P-10 A Man not a Monster: Reimagining Disability in Hollow Crown’s Richard III

Department

English

Abstract

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

Acknowledgments

Advisor: L. Monique Pittman, English

Location

Buller Hall 108

Start Date

3-11-2022 1:30 PM

End Date

3-11-2022 3:30 PM

This document is currently not available here.

Share

COinS
 
Mar 11th, 1:30 PM Mar 11th, 3:30 PM

P-10 A Man not a Monster: Reimagining Disability in Hollow Crown’s Richard III

Buller Hall 108

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.